The music of John Allemeier has been described as having a “sweet sense of mystery” by Fanfare and as being “rapturous” by the American Record Guide. His music has been programmed on international venues such as the Frankfurter Kunstlerclub (Germany), 3rd Rencontres Musiques Nouvelles (France), Festival Internacional de Percusiones (Mexico), Russia-America: Music of the XXI Century at the Moscow Conservatory, the Seoul International Computer Music Festival (South Korea), the Brazilian Symposium on Computer Music, the International Double Reed Society, ClarinetFest (International Clarinet Society), and the International Society of Bassist Convention; and on national festivals such as Piccolo Spoleto, the 5th Annual Festival of Contemporary Music in San Francisco, and the Spark Festival in Minneapolis; on national conferences of the Society of Composers, the Society for Electro Acoustic Music in the United States, National Association of Composers in the United States, and the College Music Society.
Allemeier’s music has been performed throughout the United States and Europe by professional and collegiate ensembles such as Fresh Ink, Low and Lower, Madison Park String Quartet, Duo XXI, Due East, the Petrella Ensemble, the University of Iowa Center for New Music, the University of Iowa Graduate Chamber Orchestra, Oberlin Percussion Group, the Texas Christian University Percussion Ensemble, the University of Illinois Contemporary Chamber Singers, the UNC Charlotte Percussion Ensemble, and the UNC Charlotte University Chorale. He has composed pieces for professional performers such as Anthony Stoops, Scott Christian, Wolfgang David, David Gompper, Jeffery Lyman, Nick Petrella, Erin Lesser, Greg Beyer, Mira Frisch, and Paul Sharpe.
Recordings of Allemeier’s music are available on the Albany, Capstone, and Vox Novus labels. His music is published by Carl Fischer Music Publishers, C. Alan Publications, and European American Music. He received his Ph.D. in Composition from the University of Iowa, his Master of Music in Composition from Northwestern University, and his Bachelor of Music in Performance from Augustana College. He has studied in Europe at the 41st and 42nd Internationalen Ferienkurse für Neue Musik in Darmstadt, Germany, and the 6th International Composition Course in Cesky Krumlov, Czech Republic. He currently teaches composition and music theory at the University of North Carolina at Charlotte.
Composer/performer Craig Bove earned his undergraduate degree at Northwestern’s School of Music and completed his formal training with a PhD at SUNY Buffalo, studying under such New Music luminaries as Morton Feldman, LeJaren Hiller, Donald Erb, and Bernard Rands. His compositions have been performed throughout the country in both live performances and radio broadcasts. He has served as the conductor of the Middlebury Wind Ensemble and CPCC Opera Theater pit orchestra and has performed, conducted and presided over concerts of new and standard repertoire including performances at the Weill Recital Hall at Carnegie Hall in New York, the BOCA Art Center in New York, KPFA Radio in San Francisco, and NPR Radio affiliates in New York, Vermont and California. The Charlotte Symphony Orchestra has recently premiered “Release” for chamber orchestra.
Bove’s own music has evolved from repetition and overlapping of cycles of events at various structural levels into what now could be described broadly as a pairing of poetic and prosaic, regularly and irregularly recurring events and the rigorously controlled and the freely conceived. His most recent works have taken as their sources the model of a perpetually evolving psychological narrative as an associate/guide to the persistence of nascent sound. He has written for orchestra, various combinations of chamber groups, and vocal ensembles.
At CPCC, Bove teaches music theory, music history, composition and is president of the Out Of Bounds Ensemble for New Music. He also serves as chair for the music and dance departments.